In this article, we’ll cover everything you need to know—from what makes Patagonia uniquely photogenic and the best tips and techniques for shooting there, to essential travel info like how to get there, where to camp, and where to stock up on supplies. If there’s one person who knows this region inside and out, it’s Max Rive. With 10 years of exploration and award winning photography experience in Patagonia, his insights are invaluable for anyone looking to capture its magic.
Whether you’re a beginner in landscape photography or a seasoned pro, Patagonia is a must-visit destination that will elevate your portfolio. But beyond the stunning images, the memories you’ll create in this vast, incredible wilderness will stay with you for a lifetime.
What Makes Patagonia So Special?
The experience of being in Patagonia is truly unique. Towering snow-capped mountains, majestic glaciers, vibrant blue lakes, winding rivers, diverse wildlife, and stunning Andean forests create an unforgettable environment.
It’s the combination of dramatic, jagged peaks, lush forests, and constantly shifting weather that makes Patagonia a paradise for photographers and adventure seekers alike.
How To Get To El Chalten
To reach Patagonia in Argentina, your final flight destination will be El Calafate. The journey begins with an international flight to Buenos Aires, where you’ll land at Ministro Pistarini International Airport (Ezeiza). From there, you’ll need to catch a domestic flight to El Calafate. Keep in mind that some domestic flights depart from a different airport in Buenos Aires—Aeroparque Jorge Newbery—so you may need to transfer between airports. Make sure to check your flight itinerary carefully.
Once you land at El Calafate Airport, the most convenient way to get to El Chaltén is by bus. You can book your ticket with Marga Taqsa, a reliable company offering direct service. When booking online, you’ll be asked for your point of origin—type in "El Calafate" and select: “(ACLFT) Aeropuerto El Calafate (Santa Cruz) (Argentina)”.
Your destination should be:
“(ECHA) El Chaltén (Santa Cruz) (Argentina)”.
If you’re planning to spend a night or two in El Calafate before heading to El Chaltén, you can catch the bus from the El Calafate bus terminal instead. Tickets are available online through Marga Taqsa or in person at the terminal. Marga Taqsa has a dedicated office there as well. When booking online for this option, choose:
“(CLFT) El Calafate (Santa Cruz) (Argentina)” as your point of origin.
The bus ride from El Calafate to El Chaltén takes about 2 to 2.5 hours, depending on stops along the way, and typically costs around USD 38.
Monte Fitz Roy
Monte Fitz Roy is located on the border between Argentina and Chile and it’s highest peak is a sharp 3,405 m (11,171 ft) standing proud among the peaks surrounding it. It was first climbed in 1952 by French alpinists Lionel Terray and Guido Magnone. It is also known as Cerro Chaltén, Cerro Fitz Roy, or Mount Fitz Roy. This mountain is so good for photography because it has an enormous castle like shape. The highest peak is the center getting and it is surrounded by lower peaks enhancing the castle like shape. The walls of the mountain are encased in a granite giving extra detail to it’s bold shape.
When shooting Monte Fitz Roy, most photographers would like to be there for sunrise, as that is when the light on the mountain is arguably the best. To explain why, shooting at sunrise and sunset are totally different experiences. At sunrise, if the conditions are good, meaning the peaks aren’t hidden behind mist, then the first light will illuminate the highest peak. At sunset you do not have any light on the peaks, which makes a big difference to the overall composition as you loose a strong focal point on the subject. However, one benefit of shooting at sunset is that when you don’t have that light on the peak, you can then see the contours better on the mountain which is also interesting. But what makes sunrise so great is that you can see the unique colors on the stones of the mountain walls much better as the mountain is catching the light perfectly.
Cerro Torre
Cerro Torre is also located on the border dividing Argentina and Chile and it’s highest peak is 3128m. It stands to the west of Monte Fitz Roy with a slightly lower elevation of 3,128m (4026 ft). The shape of the mountain is outstanding, with one really strong peak dominating and a few lower peaks. In a way- Cerro Torre is more difficult to photograph, because you cannot get very close to the mountain because in the foreground is a major glacier and glaical lake, Lago Torre. Therefore you are often restricted to shooting the mountain from the shoreline of the Lago Torre or further away. It is not common to see photographers going on the glacier itself because of safety and the required permits.
Shooting Cerro Torre can also prove a challenge depending on the season. In Autumn at sunrise the highest peak is only touched by a glimpse of light so you have to hope for the best conditions possible, not too much cloud cover and no mist blocking that peak, mist is very common on this mountain peak. In summer the whole peak is getting illuminated but the sun is not hitting it from any special angel so although it feels like you have great light, the mountain on review looks quite flat. Another factor to consider in Autumn is that on the left side of Cerro Torre there is a mountain nearby and that one is catching more light than Cerro Torre so that is actually quite distracting. As a result we recommend the best time to shoot is sunrise at Autumn at the first moment the peak is catching a little bit of light.
Which Lenses to Use
We recommend to take a wide angel of around 14mm on a full frame camera. Wider than thhat is often not needed because you never go too close to the mountains, you always keep some distance. Of course take a telezoom lens , for the mountains no more than 200mm is needed but if you also want to shoot the condors than you can bring 300mm or longer. Keep it simple and don’t over-pack on camera gear because there is lots of hiking to be done!
Drones
Drones are not allowed to be flown inside the National Park Border. However you are allowed to fly outside the National Park Border, see map.
Supermarkets El Chaltén
When camping in Los Glaciares National Park, it's essential to bring your own food supplies. While there are several supermarkets in El Chaltén where you can purchase provisions, be aware that prices may be higher and selection more limited compared to larger towns. Some recommended supermarkets include:
El Chaltén, Argentina
Situated at 580 San Martín Ave.
Situated at 590 San Martín Ave.
Situated at 149 San Martín Ave.
To protect your food from local wildlife, particularly mice, store it in sealed bags and hang it from a tree branch away from your tent. This precaution helps prevent animals from accessing your supplies and avoids attracting them to your campsite.
Restaurants
Some notable restaurants in El Chalten include Laborum, Fresco Bar, La Tapera, Cúrcuma, La Cerveceria and Patagonicus
Wildlife
Patagonia is filled with wildlife and many creatures will be perfect subjects for your photos, especially the wild Guanacos and Vicuna. As mentioned before you can also capture images of the Andean Condor, Pumas and deer. For information on the wildlife in Patagonia, this page is great.
Camping
Campsite Laguna Capri
Located approximately 7 km from El Chaltén, reaching this campsite involves a 2-hour hike which is steep, 350 meter elevation gain. Situated on the shores of the picturesque Laguna Capri, the campsite provides stunning views of Mount Fitz Roy. Facilities include a basic toilet, and potable water is available from the lake. Camping here requires a reservation and a fee of ARS 15,000 (USD $14).
Campsite Poincenot
Campsite Poincenot lies about 4 km further along a relatively flat trail, totaling an 11 km hike from El Chaltén which is around 2.5 hours. The hike from Laguna Capri, to Poincenot campsite is relatively flat. This campsite serves as a strategic base for early morning hikes to Laguna de los Tres, offering close proximity to Mount Fitz Roy. Facilities include dry toilets, and drinking water is sourced from a nearby stream. As with Laguna Capri, camping here requires a reservation and a fee of ARS 15,000 (USD $14).
Access to Nearby Trails
From Campsite Poincenot, hikers have access to several trails such as Laguna de los Tres, Laguna Sucia and Hostería El Pilar.
Please note that access to these campsites is no longer free, and reservations are required
Long Exposure Photography in Patagonia
There are some fantastic opportunities for long-exposure photography along the small river that winds between Campsite Capri and Campsite Poincenot. Another especially striking spot, particularly in summer, is the area just before Laguna Sucia, where the landscape and water combine beautifully (see photo).
To capture stunning long-exposure shots in these areas, make sure your camera is set up for success. A tripod is essential for keeping the image sharp during longer shutter speeds. If you're shooting during the day, especially when the sun is high, an ND filter will help reduce the light entering the lens, allowing for those slower exposures without overexposing your image.
Pay attention to the water levels before setting up your composition—flowing water is key to creating that silky, dreamlike effect. Look for a composition where the stream leads the viewer’s eye through the frame, drawing attention toward the background or a key subject in the distance.
With the right gear, timing, and creative framing, these locations offer the potential for truly surreal images—flowing water set against Patagonia’s bold and dramatic backdrop.
Best Photography Spots Patagonia
Spot 1: Laguna Torri area - There are many small streams around and you have a good view on Monte Fitz Roy.
Spot 2: Poincenote area – Dead tree stumps create interesting framing and leading line options especially in the Laguna de Los Tres - Laguna Sucia areas. Have an explore around and you’ll be sure to find something original.
Spot 3: Laguna Torre - Two great options here, the first is to shoot Cerro Torre from the glacier river, use the river as foreground. The second option is to shoot Cerro Torre from Laguna Torre and use ice as foreground. Ice is usually there in Spring if you go early.
Please note – Patagonia is known for it’s every-changing weather conditions and severe wind gusts. This area is no exception and the wind can be crazy here - so stay safe! If possible you can use the wind blowing the water to your advantage and shoot it as it create waves adding depth to your photo.
Spot 4: Loma Del Pliegue Tumbado - This viewpoint starts at the rangers station. This viewpoint is located at approximately 1,500 meters elevation. Due to the altitude, lack of cover such as trees, and high winds, you should be prepared with a windbreaker and a coat, as a light snowfall is not uncommon even in the height of summer. The best photo spots are not on the summit, they are just before. Use a telezoom lens to capture moving clouds, both sunrise and sunset are great in this area. Look out for condors too - you have lots of them here.
Spot 5: The spot outside El Chalten on route 23. Around 6 km outside town. See google map:
Here you have two options. First option, you can shoot with camera using the winding river underneath and the mountains Monte Fitz Roy and Cerro Torre in the background. Second option you can use shoot with drone, make sure you don’t fly into the National Park as you are right at the border.
Bonus Tip - Keep an eye out for a herd of Guanacos, many of the packs are roaming the hillsides. You do need a bit of luck for them to show up in exactly the right spot since the area is so big. (see epic photo with them and the mountains in the back).
Spot 6: All around you! That’s right, wherever you are standing keep your eyes up and look around you!! Because the weather is very dramatic and unpredictable the sky is changing often, the light, the clouds the mountains it can look totally different hour to hour. Look for a something like a falling down tree, wildlife, a tele-zoom option with dramatic clouds rolling off a mountain peak, a puddle of water after heavy rain, fresh snowfall on a tree, etc. This is the beauty of Patagonia, there are so many raw and beautiful compositions to be found so try to find something new.
Spot 7: Perito Moreno Glacier – At 250 square meters Perito Moreno Glacier One of the most spectacular and unique glaciers in the world! Perito Moreno Glacier is one of the few glaciers that grows in size as cracks and crevasses appear at the terminus, resulting in chunks of ice breaking off and crashing into the ice field below. It can only be viewed from the observation deck, but make sure you wait for some ice to fall, to get a great photo, you won’t be disappointed. More on Perito Moreno Glacier below.
Best photography Techniques in Patagonia
One of the most effective ways to capture stunning images in Patagonia is to thoughtfully combine three elements: a dramatic background, a compelling foreground, and—when possible—a mid-ground that enhances the scene. The background is your anchor, the foreground draws the viewer in, and the mid-ground adds depth and interest.
Start by choosing a location where the background—the iconic mountains, for example—truly shines. Take Fitz Roy as a case in point; it’s best viewed from around Lago Capri. Once you’ve identified your backdrop, begin exploring the foreground.
- Fallen trees and twisted branches can be excellent elements to include. If they curve or angle in interesting ways, they naturally guide the viewer’s eye from one side of the frame to the other, ultimately leading them to the mountains beyond. Tree trunks or foliage can also be used for framing—ideally forming a window around the peak. Bonus points if there’s something like a path or stream running beneath the frame to add dimension, though it’s not essential.
- Water is another valuable asset. Streams and rivers can act as leading lines and catch the light beautifully, often standing out from the surrounding terrain. Lakes and small pools, especially those that are partially frozen or interrupted by grass or debris, offer creative opportunities for reflection—far more dynamic than a simple mirror image. If you stumble upon cracked mud in drier areas, that too can add an unexpected texture to your composition.
- Now let’s talk about timing. Patagonia’s weather is famously unpredictable, so keeping an eye on reliable forecasts is key. Sites like windguru.com and mountain-weather.com offer surprisingly accurate updates for both low and high elevations. This is crucial, especially around peaks like Monte Fitz Roy and Cerro Torre, where the weather at the summit can differ dramatically from what’s happening below.
Cloud cover, in particular, can be a deal-breaker—Cerro Torre is notoriously elusive. If the forecast shows limited cloud coverage, make Cerro Torre your first stop. It’s closer to the ice field and more prone to being shrouded. Fitz Roy is generally more forgiving, often remaining photogenic even when partially veiled. Also, strong winds near lakes can actually enhance your images by creating wave textures and mist that catch the light.
As always, stay safe—not just for your own well-being, but also to protect your gear from Patagonia’s harsh elements.
Lighting is another make-or-break factor. The direction and angle of sunlight can dramatically affect how a mountain appears. A low-angle sunrise casting long shadows can elevate a shot from beautiful to breathtaking. In autumn, the Poincenot and Capri areas offer excellent conditions for this kind of light—sunrise from these vantage points creates shadows and depth that truly bring the peaks to life. In contrast, summer sunrises often hit the mountains more directly, making them appear flatter and less textured.
If you’re visiting in summer, consider shifting focus to alternative areas where light dynamics might still be interesting. One bonus technique for summer shooting is to capture the very first glow at sunrise, especially from Poincenot or Capri. Alternatively, wait for cloud cover to partially block the sun—this interplay of light and shadow on the peak can create a beautifully moody effect.
Night Photography in Patagonia
The landscapes surrounding El Chaltén, within Los Glaciares National Park, provide some of the most breathtaking settings for night photography. Whether you're aiming to capture the Milky Way stretching across the sky, long star trails swirling above the peaks, or reflections shimmering in still water, Patagonia offers an unforgettable backdrop after dark.
Some of the best locations for night photography include Cascada Escondida, a hidden waterfall that can mirror the night sky in its pools—creating an ethereal effect, especially on still nights. Laguna de los Tres is another iconic spot, with the majestic silhouette of Fitz Roy rising in the background. For more tranquil compositions, Laguna Capri offers a peaceful lake surface ideal for capturing star reflections. Laguna Torre is also a favorite, where the jagged peaks of Cerro Torre stand dramatically against a starlit sky.
To make the most of these locations, it helps to incorporate natural reflective surfaces like lakes and streams into your compositions. These not only add visual interest but can double the beauty of the sky in your frame. Timing is crucial—check the moon phases before heading out. A full moon can light up the landscape, perfect for wide shots of illuminated peaks, while a new moon or a night when the moon stays low allows for optimal Milky Way visibility.
Clear skies are essential for night photography, so keep an eye on the weather forecast and consider using an astronomy app to check conditions. Tools like PhotoPills are particularly useful for planning—letting you track the movement of the Milky Way, moonrise times, and the alignment of stars so you can set up the perfect shot.
With the right planning, gear, and conditions, night photography in Patagonia can result in some of the most magical images you’ll ever create.
Perito Moreno Glacier
How to Get There
Public Bus (Shuttle Bus)
Several companies run shuttle buses from El Calafate’s bus terminal to the park. There are no “local” buses, so you must book a ticket from a vendor inside the terminal.
Important: Make sure you book tickets to Glacier Perito Moreno—not the similarly named town located 630 km away!
• Book at least a day in advance, especially in summer, as tickets sell out.
• Cost: Around $30 USD (round trip).
• Duration: About 90 minutes—bring snacks and water.
• Entrance Fee: Paid upon arrival; expect a 30-minute wait as all passengers must pay.
Group Tours
• Group tours include pick-up and drop-off services but have fixed schedules, which may limit your time at the glacier.
• Booking Tip: Book in advance directly through the tour company for the best price.
Other Transportation Options
• Car Rental – Provides flexibility to explore at your own pace.
• Taxi – A more expensive but convenient option.
Los Glaciares National Park – Opening Hours
• September to Easter: 8 AM – 6 PM
• After Easter until August: 9 AM – 4 PM
Admission Fee (2025)
• Foreign visitors: 45,000 pesos (~$40 USD)
• The glacier is within Los Glaciares National Park, and an entrance fee is required.
Final Thoughts
Patagonia is an incredibly beautiful area for photography in all seasons. I hope by reading this article and using my tips, techniques and the essential travel information that you can plan the best trip to Patagonia possible. If you can, I definitely recommend hiking up and staying the campsites mentioned, this will allow you to best access the photography locations for sunrise and sunset. Also consider visiting in different seasons, the landscape transforms into a forest of flames in Autumn, offering a totally different atmosphere to the rich summer colours. Happy traveling!
Max Rive is most driven by seeking new perspectives in the natural world and capturing them in his own distinguished style. Max's powerful portrayals of his interactions with the mountains has earned him international recognition in the outdoor community.
Madison McCardle is a passionate landscape photographer driven by curiosity and a desire to capture the true essence of each place she explores. Through her lens, she seeks new perspectives that reveal the beauty and authenticity of the world.
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